#Caim drakengard 3 how to#

Nothing is off the table, and given the intensely morbid subject matter of Drakengard, such a scenario almost makes complete sense. This is the kind of situation that almost feels like a parody of Yoko Taro’s personality, a figure in the gaming industry who is never afraid to speak his mind whether it relates to sexy anime girls or deep, poignant analysis on the nature of virtual narratives. So - Nier, Drakengard, and everything beyond likely wouldn’t exist if some Sony producers weren’t in desperate need of a nap. To their luck, and in a turn of events that is extremely on brand, Sony had worked through so many pitches throughout the show that it approved Drakengard without further inspection, tiredness finally having taken its toll. He raised concerns with Enix producer Yosuke Saito ahead of its release, who was poised to present the game at E3. However he keeps creating games, in hopes that someday things will change, “I remain convinced of the tremendous potential in games.Did you know - Yoko Taro was originally worried that the story and themes of Drakengard wouldn’t go down well with Sony. It stands as a challenge to Taro himself. In the 19 years since its release, Drakengard still stands as a challenge to the industry and to players. At least for me, it’s a personal failure.” “I think that these types of killing games will continue to permeate the industry,” Taro said in 2014, “there has been no revolution or great change. But the only criticism of the gameplay was that the act of killing should have been smoother.

Drakengard is an attempt to confront this by taking it to its furthest extreme and seeing what the industry will do. Taro despises this need for violence in games, specifically those created by AAA publishers. It begs the player to stop, making the act of killing feel miserable. The misery of the characters as well as the player stem from the need to kill and continue cycles of violence. The misery of Drakengard is rooted in violence. Nier Automata ’s massive success has earned Yoko Taro a reputation as one of gaming’s best creators. Eventually, Ending E became the basis for Nier, which led to Nier Automata. This ending became an obsession as they created their own meaning instead of dealing with the possibility that their work meant nothing.

#Caim drakengard 3 how to#

Christian Petersen/Getty Images News/Getty Imagesīut players didn’t know how to take a joke. Yoko Taro sees the games industry as stuck but remains hopeful about the potential of the medium. It is a visual homage to The End of Evangelion inspired by the notorious joke endings of the Silent Hill franchise.Īll of the work the player put in results in the game laughing at them. What is the reward for this accomplishment? A joke.Įnding E sees Caim transported to modern-day Tokyo to defeat the final boss. To reach the elusive Ending E, the player must collect all 65 weapons in the game. Drakengard, like the Nier franchise, contains multiple endings. There is no part of Drakengard that attempts to be welcoming to a player, instead actively trying to make them quit the game. Drakengard is a massive middle finger to this idea.

Games remain trapped by this need to give the player exactly what they want. All of these things keep the player entertained. Rewarding new gear, offering collectibles, making a number go up when you kill an enemy. At their heart games are about player gratification. Better hardware, prettier graphics, and more immersive gameplay none of these things change the core of what the medium is. Video games haven’t changed much in the two decades since Drakengard.

Drakengard seeks to break from the need to gratify the player.